The Galen Historical Society presents

Millstone

A history podcast by Benedict Wright

Video versions of podcast episodes and a video tour of the mill are available on the Galen Historical Society’s YouTube channel.

Episode 1: Introduction

In the first episode of Millstone, a podcast from the Galen Historical Society, I introduce the project and identify its purpose as the history of a now closed feed mill in the village of Clyde, New York. This episode roughly sketches the history of milling in Clyde and teases the interviews that will reappear throughout the podcast series.

Part family history, this podcast highlights the history of several of my relatives particularly my great-great-grandfather, Alfred Ketchum, who became joint owner of a coal, cooperage, and feed business in Clyde around 1910 and George Ketchum, Alfred’s son and my great-grandfather, who joined the business in the 1940s. Episode one includes interview clips with several of George’s children who remember the feed and coal business.

Part oral history, this podcast seeks to preserve and share the voices and stories of people who grew up in a very different time and place than I did. I believe strongly in the value of recording the spoken word for current and future generations to hear and learn from. Only a very small portion of the complete interviews make it into the podcast, however full interview recordings are available near the bottom of this webpage.

Part economic and agricultural history, Millstone treats the Ketchum Mill as a site of historic change that offers an on-the-ground view of the significant transformations in 20th century agriculture in New York state and nationally. Episode one includes interviews from former farmers and a former miller which illustrate how changes in agriculture ultimately doomed many small commercial mills, including the Ketchum and Son Mill as it was then named when George Ketchum closed the business in the 1970s. 

Episode 2: The Mill Building

The second episode of Millstone describes the physical plant of the Ketchum and Maloy mill and identifies some of the people needed to operate it. Listeners will get a sense of the look and feel of the mill inside and out.

A great deal of the time I was in Clyde working on this project was spent exploring the mill trying to figure how this building worked. While the mill now houses many other artifacts for the Galen Historical Society, I felt the mill itself was an artifact of history in need of better explanation. Hugh Miner and I got the opportunity to show many people around the mill—including farmers and millers—and record their reactions. These interviews were invaluable in helping us piece together how this building may have looked and felt while it was in operation. Our recorded tours of the mill play prominently in the second episode.

Hugh and I also produced a video tour of the mill based primarily on the collective knowledge of our interviewees. 


 

Present Day Mill Museum in Clyde, NY

Episode 3: Clyde’s Mills and Farms Transformed

The third and by far the densest episode of Millstone places the Ketchum mill in its historical context—a period of revolutionary agricultural change. Linking technological and political changes to transformations in agricultural industry, this episode tries to account for why the Ketchum mill closed in the 1970s and left Clyde without a feed mill.

The episode begins with a discussion of historiography in which I recognize that there are many ways to tell the story of 20th century U.S. agriculture. Histories of this subject often fit into two broad categories: on the one hand there are triumphalist narratives featuring dazzling technological progress, soaring production, abundant crops, declining global hunger, and lower food prices for American consumers;  on the other hand there are also more critical narratives about power consolidation, inequality, declining small farms, environmental degradation, increasingly inhumane treatment of animals, rising obesity, and increasing economic precarity in rural America. I acknowledge that the history I tell is surely influenced by the histories I’ve read before and my story undoubtedly has characteristics of both triumphalist and critical narratives. In my view, history by its nature will contain some element of bias and all historians are fallible beings making decisions about what facts and artifacts are important as they weave together a story. That being said, I do my best to let facts guide my interpretations and I hope that in doing so the history I tell is both rigorous and compelling.

My account of agriculture and milling in Clyde reflects some common observations about 20th agriculture: as productivity soars, farms consolidate and many of the profits of innovation are left in the hands of corporate agribusiness entities—including seed companies and fertilizer and pesticide manufacturers. The Clyde area today has a small number of incredibly productive farms that produce the vast majority of the commodity crops grown in the area. This situation has eliminated the need for a personal feed grinder like Ketchum and Maloy as farmers in general no longer grow a variety of crops to feed to their own animals instead focusing on one or two specific commodities like corn or cattle. The trajectory of farm consolidation has resulted in trade-offs. On the one hand, food has become significantly cheaper for consumers, including those in Clyde. On the other hand, places like Clyde that developed around farming and agricultural industries like milling have seen many of the people that once made up their communities disappear. Changes in agriculture only partially account for this disappearance, however I argue that they must be a contributing factor. For this episode, I include interviews with current and former farmers, millers, and residents of Clyde to give voice to the complicated and ambivalent feelings about these developments. These conversations were critical to helping me understand how milling and farming changed in Clyde and how it has affected members of the surrounding community.


Episode 4: Outtakes, Credits, and Acknowledgements

The epilogue episode of Millstone gives credit to all those who participated in or supported this podcast. The episode also puts names to the voices that appeared throughout the previous three episodes. 

Episode timeline:

0:00 Introduction

0:34 Kate Ketchum Gibbs

1:44 Dick Ketchum

2:23 Jim Ketchum

2:57 Keith Malchoff

3:55 Wayne Rice

5:40 George Barnes

6:42 Janet Hughes

7:32 Jimmy Hughes

8:21 Hugh Miner

9:31 Will Martin

10:48 Dan Ketchum

12:07 Rose Jeanne Strakal

14:11 Sandra Tracy Walsh

15:18 Conclusion and Special Thanks


Works Referenced or Consulted

Berry, Wendell. The Unsettling of America. Berkeley: Counterpoint, 1977. 

Colman, Gould. “Government and Agriculture in New York State.” Agricultural History 39, no. 1 (January 1965): 41-51. https://www.jstor.org/stable/3740877.

Conkin, Paul. A Revolution Down on the Farm: The Transformations of American Agriculture since 1929. Lexington: The University Press of Kentucky, 2008.

Hendrick, Ulysses Prentiss. A History of Agriculture in the State of New York. New York: Hill and Wang, 1933. 

Morrison, Wayne. Morrison’s History of Clyde, Wayne County, New York. 4th ed. Clyde: W.E. Morrison & Co. Book and Job Printers, 2005.

Pollan, Michael. The Omnivore’s Dilemma. New York: Penguin, 2006. 

Smil, Vaclav. Energy and Civilization: A History. Cambridge: MIT Press, 2017.

United States Department of Agriculture. “Census of Agriculture Historical Archive.” Accessed March 1, 2022. https://agcensus.library.cornell.edu/.

Full Oral History Interviews

I performed and recorded all the music throughout Millstone. Arrangements of “Soldier’s Joy,” “Year of Jubilo,” and “Hangman’s Reel” are by Stephen C. Parker from his masterful songbook Clawhammer Banjo String Band Favorites. The arrangement of “Erie Canal” is my own but it is based on Bruce Springsteen’s rendition of the song. The arrangement of “St. Anne’s Reel” is by Joe Davoli, from whom I had the pleasure of taking mandolin lessons during my stay in New York. 

A Note on Music